Fjaak’s path led them from the periphery to the centre and from there further through the world. Their debut album for Monkeytown is as much of a summary of what has happened in the previous three years as it is an artistic statement.
Their self-titled debut album, ‘Fjaak’ combines the energetic peak-time sound of the Berlin-based trio’s acclaimed techno singles like ‘Unten / Oben’ with sophisticated breakbeat arrangements and atmospherically dense ambient textures. These eleven tracks are the provisional highlight in a unique success story which started aside club culture’s conventions and to this day refuses to compromise.
Felix Wagner, Aaron Röbig and Kevin Kozicki were still teenagers when they developed a distinct sound that positioned itself outside beaten paths, both geographically and musically speaking. The trio cut their teeth in Berlin Spandau’s open-air scene and celebrated their first success in the city’s centre shortly thereafter before taking the techno world by storm with their elaborate analogue sound. Having released a few records, they found a permanent home on Modeselektor’s Monkeytown in 2014, whilst incessantly traveling the world.
‘Fjaak’ draws its overwhelming power from Fjaak’s signature hands-on mentality and radiates the explosive charm of their live sets. Earlier this year, Fjaak let FACTmag into their Berlin studio for an Against The Clock feature, the result of which - an anthemic techno jam - showcases the trio’s spontaneous working process. ‘Against The Clock’ sounds rough and unpolished, just like it’s supposed to be and Fjaak have captured their jam sessions’ energy on ‘Fjaak’. Apart from the previously released tracks to be found on the single ‘Wolves / Pray For Berlin’, the album also features a reworked version of the Fjaak classic ‘Gewerbe 15’.
However, Fjaak is far more than a document of Fjaak’s studio virtuosity. On it, Kozicki, Röbig and Wagner channel their diverse influences that have informed their unique sound from the very beginning. On ‘Sixteen Levels’, you can hear their love for UK Bass sounds while ‘Snow’ and the vivid collaborations with Rødhåd or Modeselektor highlight a more placid side of Fjaak. Whether it’s peak-time techno or the cowbell-heavy breakbeats of ‘Fast Food’: Fjaak seamlessly blend the musical tensions between subtle textures, raw kicks and smart arrangements. Here and there, there are references to a specific 90s sound. However, ‘Fjaak’ is first and foremost dedicated to a new musical future.